Within the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is naturally straight-backed, his arms defined beneath a simple white T-shirt. On stage, ballet dancers can appear as powerful gods, yet often offstage they are small. This is not true for Ball, whose height is one reason for his popularity for heroic characters and partnering. With fine traits and intense eyes, there's a touch of Robert Pattinson about him.
A Seamless Rise to the Pinnacle
At 31, Ball is experiencing the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he graduated straight into the troupe and was advanced each year, reaching the top rank of principal in 2018. He has loved taking on meaty dramatic roles, especially the emotional angst found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's next featured role is in a talk, in an "Evening With" series aiming to offer intimate perspectives into a dancer's craft. He will guide the crowd through a role, showing his cognitive process while performance. Yet in more comedic works, the test is profound. "A classic ballet is one of the toughest technically," he notes.
The Psychological Struggle and Post-Performance Emotions
What about after a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get lost in the character, frequently I do feel embarrassed later. Following an intense role I'm always like: Wow, what must people think?"
In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Does this exist? "I'm quite active in general, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."
Formative Drivers and Creative Influences
His determination originated in early experiences. Not doing well in competitions at school made him "driven!" This became motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
An upcoming endeavor is making his own choreography. In his view, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, music, and art.
Close-Up Performance and Personal Dynamic
He also is interested in presenting dance in more intimate venues. "It was just really thrilling," he says of a previous show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They are not usually paired on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest cheerleader."
On Social Media and Physical Perception
On Instagram, followers can see clips from his projects and photos that showcase a athletic physique. Does he care that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple ways.
Ball describes his younger self as "desperate for success." Did it met his hopes? "I am conscious of how life is a different thing to the dreams you had as a child," he muses. He probably has another ten years of performing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."